Put Lush on a vocal, drum bus or synth when the tail should join the arrangement. Natural sets the same sources in a stable acoustic field.
The switch changes the reverb architecture. Six controls cover timing and scale, then length and colour; movement and balance complete the row. Echo Into Space adds tempo-aware repeats before the reverb.
Voltage Spaces.Lush for audible movement. Natural for convincing placement.
2reverb characters
6musical controls
1focused interface
0samples reported latency
Availableproduct status
20SECONDS
02 The workflow
Pick the tail you need.
Choose Lush or Natural, set Size and Decay, then balance Tone and Mix. Echo Into Space sits before the reverb. The target is a useful result in less than 20 seconds.
01CHARACTERMovement or placement
02SIZECompact room to vast space
03SHAPEDecay / Tone / Mix
03 One complete product
The complete effect is on one screen.
Voltage Spaces puts both reverb characters and each shaping control in one product. Echo Into Space sits beside the preset browser and A/B comparison.
PRODUCT / 01
Voltage Spaces
€59 EU / $59 elsewhere
Two engines · six controls · echo into space
The Lush and Natural engines share six reverb controls. Echo Into Space sits above the preset library; A/B comparison uses those same parameters.
Lush and Natural, chosen by a two-position switch
Pre-delay, Size, Decay, Tone, Motion and Mix
Tempo-aware echo that feeds the reverb
Wide and compact arrangements of the same controls
RELEASE / 02
Available now
€59 EU / $59 elsewhere
Clear terms before installation
A perpetual licence is €59 EUR in the EU with VAT included, or $59 USD outside the EU before applicable destination taxes. Install through Bitsnacks Vending Machine, which shows current compatibility and trial terms first.
CLAP, VST3 and Audio Unit
Trial terms shown before installation
Regional prices are independent market prices, not a live currency conversion
Account and installation through Bitsnacks Vending Machine
Availability
Available through Bitsnacks Vending Machine.
04 Character before feature count
Hear what the switch changes.
Lush makes the reverb part of the sound. Natural places the source in a space and gets out of the way. Both are honest about placement: a mono source stays exactly mono, and a hard-panned source still opens the whole space.
L / 01
LUSH
Modulated and wide
An 8-channel tank keeps the late field moving, with a broad stereo image and a soft onset. It suits a vocal bus or snare, and it can carry a synth pad when the tail should count as part of the arrangement.
Motion controls depth and rate together
The movement continues through the tail
Long settings stay deliberately audible
N / 02
NATURAL
Dense placement
A 16-line feedback network follows an independent early-reflection generator. Its late field uses shallow variation rather than a repeating chorus cycle, which keeps the centre image steady on piano and strings as well as dialogue or other acoustic sources.
Echo Into Space feeds stereo repeats into the selected reverb. The dry wet-path feed continues alongside them, so Time remains a rhythmic choice rather than another pre-delay control.
On starts the section. Time reaches 1500 ms in free mode or steps through synced divisions; Echo sets the repeat train, and Stereo moves it across the channels.
01INPUTStereo source
02ECHO INTO SPACEDirect feed + repeats
03SPACELush or Natural
06 The focused control surface
Six controls cover the useful range.
The main row covers six jobs. Onset and scale come first, followed by length and colour; movement and balance complete the row. Their ranges stay the same when the interface changes shape.
Fits the session
The panel follows the window.
The default 16:9 view puts the six knobs in one row. A narrow window uses a compact column and keeps the control order intact.
Same parameters. Same sound.
Wide layout
Compact layout
01
PRE-DELAY
0 to 250 ms between the source and the start of the reverb.
02
SIZE
Sets apparent scale.
03
DECAY
The dial reads 0.3 to 20.0 seconds. Those values are checked against rendered audio at 6 sample rates.
04
TONE
Dark at the left. Open at the right. The centre is a voiced setting rather than a flat bypass.
05
MOTION
On Lush it brings modulation forward; on Natural it applies subtler variation to the late field while the stereo placement stays steady.
06
MIX
Constant-power balance, 0 to 100%.
07 Session behaviour
The session gets the same result back.
Recall is deterministic across irregular buffer sizes. Reported latency is 0 samples.
RECALL
Buffer splits do not alter the render.
The same input and state produce the same samples through both engines and the echo.
AUTOMATION
Engine changes preserve the ringing tail.
Parameter smoothing covers continuous moves. Moderate Size automation reshapes the space in place, while the transition manager lets the previous engine finish after the switch.
REAL-TIME
Memory is prepared before playback.
The audio path allocates 0 bytes and takes 0 locks once processing starts.
NETWORKS
The algorithms are original.
Reference captures provide measurement corridors for development. They do not supply delay lengths, parameter laws or product identity.
See the measurements
The proof page gives the test scope and tolerance. It also states the current limits for recall and the Decay dial, plus the engine measurements.
Available
Lush and Natural measure inside the lab’s reference envelopes. The listening examples document their character; current builds and compatibility are shown in Bitsnacks Vending Machine.